- What levels should I be shooting for?
- best sub-$500 wired lapel mic?
- Radio Signals in my recording
- How loud should internet or DVD audio be?
- Two-shot improv coverage
- MKH 8040 vs. 8050
- telephone on-hold messaging
- What boom mics for inside rooms?
- What boom mics for inside rooms?
- Sennheiser SKM135
- good setup idea?
- Montreal...
- Sounds and curiosity
- Important project, little time, scant equipment: need advice!
- Sennheiser G2
- which portable recorder with timecode?
- Commercial/Pop Music in 24 bit available?
- Quick MKH8040 test
- Audio Monitoring Question / Beachtek DXA-6
- Audio Help for Golfer Documenting Midlife Quest to Play on the PGA Tour
- Boom pole safety plug thingy?
- Computer "hush boxes" for VO in edit suite
- Adapter for Nextel headset?
- Mount for AT825 on my camera?
- V/O recording options
- Improving Audio Quality - first purchases?
- Wireless earphones
- Bed Egg-crate vs. Acoustic Foam
- DAT vs HV20 vs XH-A1
- Single cam Multiple Mics
- Please advice for wireless video work
- Low audio on Zoom H2 w/ Giant Squid
- What wind protection for Schoeps?
- A good microphone for voice over
- Audio sync problem
- Audio Technica 875R softy or Dead cat
- How to match tone with audio levels?
- Output Limiter Levels on SD 302?
- Boom Pole Length
- How Are You Carrying Mixer + Recorder?
- Why split channels
- Easiest way to send scratch track using SD702t
- Adding a soundtrack in post production
- Voice only recorders?
- Azden 320 Combo System Questions
- Frame Rate of 702
- 4-Chan Audio recorder
- Sennheiser 416 or the Neumann KRM 81?
- Audio Technica w/Sennheiser
- A neat trick I learned...