- M-S mic encoding in FCP?
- Which Lavallier to get in Japan?
- wind protection for NTG2
- Rode and Senni for ambient recording!
- Cheap Solution for Boom
- Sony Hi-MD design flaw
- Suggestions for material to pad shockmount
- Explain "room tone"
- Please help- Emergency Boompole help needed!
- ENG44 portable audio mixer opinions?
- To Rode Videomic and Beachtek Users....
- Shotgun mic for shooting automobiles?
- .BWF... Wave of the Future?
- Need Help- Is this a decent shotgun mic?
- Fellas I'm terrified of the audio side of things
- Need Comments on Sound Devices 744T
- mix question?
- Cable for Azden SGM-2x to camera?
- Portable CF Recorder
- Level Meter for iRiver
- Woman in High Heels (Audio Project for School)
- Hiding lavs
- affordable boom pole?
- Utah frequency?
- Recording Opera-Soprano is vibrating at frequencies...
- Omni or cardoid lav?
- Digital Recorders
- Sony Freedom WRT 805 radio mic system (64 Germany & 69 UK)
- Ambico wireless...canuhearmenow?
- Headphones when editing?
- Affordable lav mics
- Can bass roll off affect audio lvls?
- the Mother of all audio nightmares...
- Dual wireless for a single camera
- Matching Impedance-Audio out of a Tascam HD-P2 to XL H1
- Anyone has used the ENG-44 field mixer?
- What mic would you use?
- What-No AT4053a any more???
- Need shotgun mic for shoot in a week.
- In-Ear Monitors
- How much can I do in post
- Recording Gun Shots?
- Sound card for surround monitoring
- Now i'm confused: shotgun good for interiors?
- Question For The Sound Gods
- anyone see a problem with this?
- Ambient mics for a small room concert?
- How to mic & eliminate distortion
- Are cordless mice/keyboards safe? (Interference?)
- NT3 or oktava: I cannot make up my mind