View Full Version : All Things Audio



  1. "common" practices in stereo panning for sound fx?
  2. Rode Video Mic vs Zoom H1 vs T3i
  3. ME64 vs. ...
  4. Actors walking into a room
  5. what battery 12 -18 volts to feed audio recorder
  6. replacement 1/4"-3/8" reversible screw and locking wheel for Gitzo G557 boom pole?
  7. URGENT - Audio Help Needed
  8. Body drop sound effects
  9. Neumann KM-184's or KM-183 for outdoor field recording ?
  10. Sanken COS-11D on the Sennheiser G2/G3 systems
  11. Mix Pre D Advice
  12. Headset mic location
  13. Cheaper VHF systems?
  14. Survey: Wireless Microphone Systems
  15. Rebel T2i + Audio Technica AT875R
  16. Any advice for radio mic repair in UK?
  17. Sony wireless into Canon 60D
  18. Olympus DS-30 assistance please
  19. plugging wireless Xmitter into sound board?
  20. How to split audio into chunks.
  21. The Hardware and Workflow for ADR Booth
  22. Can you use multiple transmitters to one reciever Sennheiser G3?
  23. DR-680 Recording Levels are Low
  24. Sony UTX-B2 and UTX-P1 together ? How to
  25. Bag Pipes
  26. Videomic into G3 transmitter
  27. Cavision Windjamer - Anyone ever try one?
  28. h4n for wedding event
  29. Rode VXLR Adapter
  30. Wireless audio - noisey!
  31. Looking for a very small recorder - with the right specs.
  32. I need permission from Carly Simon to put a video on YouTube I shot on a BlackBerry!!
  33. Is a lavalier mic really necessary?
  34. wireless playback help needed
  35. idea for live event audio
  36. The simple (and cheap) things
  37. Extracting audio out of .mov file
  38. Recording electronic drum kit & stage piano
  39. Is there a decent ProTools workflow for film?
  40. foiled again!
  41. Recording from telephone
  42. Has anyone tried the Audio Technica BPHS-1
  43. Where can I get a GIANT boom pole?
  44. UHF or VHF?
  45. Cardioid Lav?
  46. Yes, I am an audio amatuer!
  47. ADR studios in NYC/NJ
  48. Adapting a studio mic for field use
  49. Mic for in-car handsfree device?
  50. inconsistent ambient noise level in the high-end TV production world