- audio advice for new filmmaker
- Adobe Audition Volume Envelopes
- Canon GL2: Juicedlink vs MixPre vs SD 302
- Edirol/Roland R-4 4 pin XLR adapter?
- Lapel mic: How do the pros use 'em?
- Extra software necessary to export from Avid to Protools LE?
- shotgun mic questions
- Edirol R-4 Pro Internal Drive
- Royalty free Music???
- Camera problem or Mic problem
- Adobe Soundbooth Help!
- Archiving Audio
- Phantom power mic or radio mike into a domestic DV camera
- Looking for decent lav with mini-jack connector.
- A bit of an urgent question about dealing with a noisy room
- connecting lapel mics...
- Etymotics: which model for audio?
- Best closed headphones
- Up Rezing Audio in Post?
- video guy decides to multitrack on PC
- 48v power plugin or seperate power supply?
- Recording a Concert VX2100
- Slightly OT: Headphone suggestions?
- Which format?
- Canon DM-50 mic work ontop of Rycote Hot Shoe Extension Bar?
- How do I record PC mic/headset and PC sounds simultaneously?
- Fixing VO in Audition
- COS-11D and Sennheiser G2?
- Recording an engine bay without destroying a mic?
- Capturing Sound with a Mixer
- Zoom H2 to mixer
- wireless systems
- Sony ex3-1 issue maybe....
- If you had to choose out of these 3 Lavs
- Timecode
- Event Opal Audio Monitors
- Difficult theatre job
- Samson Zoom H2 test with FX1000 footage
- What Levels When First Opening Audio File in NLE?
- Help - NTG-2 On-Camera Kit Versus VideoMic
- Production Sound Mixer Delivery Formats
- Windshield for AT857R?
- Fostex FR-2LE
- Field recorder frame rates other than drop-frame
- Music in Audio Documentary
- Question on Normalization
- R-44 control sync
- Sony PCM-D50: What microphones are people using?
- Shoe mount to boom pole
- Tinny Sound from Rode NTG-1