- Canon DM 50, not the DM 250 !!
- Rode deadcats don't work
- Sound anomaly
- Need help removing noise from my film
- Sony MZ-NH1 HI-MD Minidisc Recorder USB Cable
- DVCAM v DV v External Recorder
- Any audio concerns for gunfire?
- Sound Devices 7xx as Mixer?
- Mixpre/SD 302 + Zaxcom ZFR100 with Stereo Adapter
- Going Timecode
- double duty-stereo miking and also ambiance / interview?
- Source for external analog VU meters
- Question about mike for wide two shots, adjusting levels while recording and DAT lev
- Other audio programs like Bias' SoundSoap 2 (Mac)?
- Unusual boundary mic placement question.
- Best long range wireless mic for under $600
- Is it ok to feed a mixing board to a body pack transmitter?
- XLR phantom power settings
- Getting good sound
- Music usually use in corporate awardings?
- Anyone using the lightwave minimount?
- AC noise reduction?
- Metering Surround Sound
- Mini to XLR
- 302 techniques with XH-A1
- Wireless into V1P
- Need advice feeding field recorder to a DAT back up recorder
- ATR55 - How to change the battery?
- need a Audio Recorder for straight-to-laptop recording
- Boundary mic recommendations
- Suitable Backpack
- Rode Videomic vs NTG-2 series
- xlr splitter
- dual channel xlr cable?
- Wireless in Ukraine
- Advice For New Filmmaker
- Hiss and Noise
- Wireless frequency
- Sennheiser & A1 audio setup
- advice SQN 5S mixer, 2 wireless lavs and a boom
- Sennheiser EW 100 G2: good solution for V1?
- XLR Stereo vs XLR Mono and JVC HD110U
- Sony pro vs consumer cam audio
- Rode Videomic Experience
- Help! How should I get audio for a commercial?
- hooking up two mics to create stereo
- Recommend headphone amplifier
- on camera 3.5 Vs. minidisc
- Frequency Monitor
- Decent indoor shotgun?