- Need Advice for Audio on TV Production
- Purchase Dilemma!
- Suppressing crazy sibilance, TR-50
- Is there an adapter to hardwire a handheld mic to Sennheiser EW100 Transmitter
- Recording directly from soundboard
- Getting Good Sweetening Services (Any Tips?)
- What else besides countryman B6 for Sennheiser?
- Zeppelin for ENG camera work?
- Which wireless system with phantom power?
- XLR to 3.5 mini w/ transformer
- Mixing hastily recorded voice-over with well-recorded music.
- Multitrack recording and editing
- HVR-Z1U audio strangeness
- Lavs w/ HD100
- XLR adapters and mini-connector mics
- The Music! Where is the GOOD music!
- Sony UWPC1-62/64 or Sennheiser G2 100 Series?
- Rode VideoMic or NTG-1 for distance?
- Audio Questions (Help \ Rant)
- Best audio for airshows?
- The best connection?
- Rode NT5 vs AT3031 for indoor guitar mic'ing
- Canon XL1 Audio Adapter
- Intercom/Mic reciever
- Control Surface for Audio (for Video) Software
- please help choosing
- Attenuation Setting for SD302
- Rode NT-G1 for Canon XHA1
- These two sound kits
- AES/EBU converter/adapter
- iTunes Selling DRM-Free Songs
- DXA-10 and the XL2? Advice needed.
- Clean audio at a dance recital?
- Rode VideoMic question
- most appropriate sennheisers for narrative work
- Stereo micorphones for music recording
- Offset/isolation mount for Sennheiser MKE 300
- Audio OR Field mixer
- Scary Music DUNNN
- DJ soundboard and digital recorder
- Basic Audio Question
- 16bit vs. 24bit Dialogue Recording
- Rode NT3 with boom stand indoors
- Sony ECM44P3 vs Audio Technica MT350P3
- Is a pre-amp mixer necessary for short films?
- Fostex FR2/Canon XHA1
- External VU meter for edit bay and test tones
- Mustache?
- Wind protection
- Next best thing to Lectro's