- Short condenser for camera
- $250-300. Outdoor ENG/Sports shotgun mic. NTG-2 or AT897 or other?
- Wireless Handheld for A1U
- Recording to laptop instead of field recorder?
- Rode is the coolest.
- Which Frequency Range for Los Angeles?
- Schoeps CMC641
- sound recordist career?
- Adobe Audition vs GoldWave
- mistaken purchase - ew100 not ew100 g2!
- Tips for timbre matching wild & dubbed dialog
- Tuning in to Hotel Radio Mic
- Advice on the zoom h4, M-Audio Multitrack 24/96
- Need a Sound Effect - The Six Million Dollar Man
- Garbled Radio Effect
- Is there a way to automatically adjust an audiotrack when there's voice-over?
- Decent lower priced wireless system?
- Mounting the Zoom H4 oncamers (hotshoe)
- Not Micing the Off-Camera Interviewer?
- Sennheiser ME66/K6 TO SD 442 to XL2
- Increase levels in FCP
- Sennhesier MKH 416 vs 418S vs 60?
- Noise dissipation formula
- Boom, Mic combo - under $1200
- Audio Hookup Question
- How to connect a non-xlr wireless mic to a xlr adapter
- four microphones to cover a room ?
- "Acoustifoam"?
- New to audio mixing
- NTG-1 and feedback with monitor speakers..
- SD 302 Recording to a Sony FX1 Versus to a 24-bit Recorder?
- Avoiding Clothing Noise on Lav mic
- SPDIF via Coaxial to Audio Monitors
- Is this a good mixer?
- Senn, Sony or AT lav for HVR A1U?
- Micing a band
- Anyone had any experience with dB technologies wireless lavs?
- HD studio mixer advice needed
- Rode-Video Mic disapointment
- Red Rght Returning
- Best mic setup for a Canon GL2?
- Noise situation for a documentary
- Sennheiser HD580 Headphones for Monitoring?
- Monitor Speaker Suggestions?
- AKG Blue Line vs. ULS series
- Whats better for outdoor conversation?
- Zoom Microphone
- Forums for sound design?
- Proper way to mix for two actors, and a boom
- Filmming in the rain