- Shure FP32 Mixer hiss
- Miking and recording electric drum demo session
- Schoeps CMC 641
- This is what good sound sound's like!!! 101
- Total mic confusion: Continuing saga.
- Time Code & Camera For Concert Video
- Hip Hop Needed
- Opinions on JBL Control 1 monitors?
- AT897 compatibility
- Need Sound (Moving) Bankets? Look No Further
- Videomic & Pag C6?
- Question on Sound Blankets
- Sennheiser MKE300 cable problems
- Ambience Needed
- Close mic for acoustic instruments on stage
- AT815ST vs. Shure VP88 for Auditorium Concerts
- Sound Device Mix Pre vs. Shure FP 23
- Noise no matter what.
- D'oh!
- Where do I get a rycote softie for the ME66?
- One mic for 3 camera shoot
- Meaning of Sennheiser spec, "0 bis + 18 dB?"
- range of Sennheiser G2 plug-in transmitter vs. belt pack transmitter?
- K-Tek SSM or SM for AT897?
- Fostex MR-8HD
- Looking for a 4 Track Field Mixer Recorder
- Looking for Oktava Hyper Elements
- M-Audio BX8 placed horizontally?
- How to mic a drag racecar?
- Short/Medium/Long Shotguns - What's the Diff?
- Anyone using a CS1?
- audio 101 for films
- Concert audience mic: Rode NT1 or Shure SM57
- Want to test my monitors for flatness, but what am I missing?
- Echo Problem
- basic audio question for XL2
- your best/recommended voice compressor settings?
- XL2 Supplied Microphone
- iRiver and mics - distance more than 3 feet
- Live Music Recording Suggestion...
- Stereo Audio With Beachtek
- Holophone - Surround sound mic
- Extension Cable
- Wireless mic for Sony UTX-B1
- How to get the Matrix bullet time sound
- isolating sound - unidirectional mic
- Portable Field Mixer/Preamp Help
- Field setup for XL2 with wireless lav's?
- Audio guru? What are the best wireless lav's?
- Voiceover - choice of these 3 microphones