- audio format for voiceover
- the best shotgun mics
- ew-100 and JVC HD 100
- lightwave source?
- Which mic for DVX100 on camera and also boom?
- Anyone ever use iPod or Zen Nano to record?
- Obscuring voices
- Wired lapel
- Field mixer with optical output?
- RODE SVM Problem
- two person interview
- Finding the best+cheapest way to connect NTG-1 with HV20
- Samson C01 Vs Rode Podcaster
- Marantz PMD660 vs Zoom H4
- Fostex FR-2 LE - Anyone have experience with it?
- wishing sound on EW100 G2
- New: Audio-Technica AT875 Short Condenser Shotgun
- Ocean sound effect libraries
- Low/No-Budget Audio Techniques
- Cleaning up wind noise from a voice track?
- Need an intro to sound lingo
- Sound devices 442 vs. Sony DMX-P01
- Any opinions re Mackie Onyx 400F
- need clarity on wireless lav kits
- Portable 4 channel recorder ?
- Back up Audio?
- documentary sound recording options
- Making Redubbed Audio Sound Like It Was Recorded Outside
- Mic recommendations for church ambient sound please
- Sound for "Pilot" Crew 4 Actors 4 or more
- Proper Camera Level
- XH A1 mic choices
- Edirol R-09 and lavalier mic
- Question about RODE SM5 shockmount
- Sennheiser MKE300 or Rode NTG2
- Rode Video
- Microphone mountable sound barrier ?
- The Ten Commandments of Sound for Picture
- Wireless Mic recommendation request
- Shure Beta 58A Vocal Dynamic Microphone enough?
- Hotshoe mount for wireless?
- Recorder versus Using Mixer to Camera?
- Dual channel wireless ?
- Phantom Power & Sennheiser G2 Wireless Receiver
- UK Audio Question
- Reducing Recorded Echo
- Recording sound and video to PC
- Shotgun or Lapel for Interviews
- Hollow echoing sound, can I fix?
- Limiter and wireless gain settings?