- Audio Technica ATR-25, any good as a low cost consumer stereo mic?
- at815a at815b...? Using indoors?
- Question for D-Spotted-Eagle on SF Noise Reduction
- A Good Quality SuperCardoid/Omni Mic for the GL-2?
- Looking to get into Scoring for indie films etc. Need equipment advice...
- Shock mount for two mics? M/S stereo...
- Confused on multiple camera purchase
- Star Quad cables
- m4p conversion
- Help With Reception Audio: Pro Insight Sought
- Getting good Film Dialogue Audio
- What does a "low sensitivity" version mean?
- Question for SPOT/ RE: Sound Forge Training
- wireless lav comes with PD-170
- Mic selections for Feature
- Any harm in cables bending inside audio/mixer bags?
- post-prduction music
- Sign Video xlrPROJR
- Rycote: Does the BBG open in the middle?
- Sound Advice or Help Me Obi Wan You're My Only Hope...
- Documentary Sound
- Sound insulation
- Mono Mic Records Both Channels. How? VX2000
- sound input into g4 laptop
- 5.1
- Tube Mics
- using a Ktech shockmount with a Rycote windshield
- Apex 175 Shotgun Mike Any Good?
- Hot-Shoe Microphone Mount Problem
- Radio reception on XLR cable
- DV Audio Editing Mixers?
- New mics and stuff, a search for a new shotgun
- pro sound on a trv19?
- Sennheiser K6/ME66 or Azden SGM-2x?
- mp3 to .aif
- Audio Sweetening, WHat is it and how do i do it?
- Connecting dvx100a to a mxing board
- Digital Audio Drift
- Audio Recording
- Foam Windscreens Indoors?
- Phantom Power / xlr for XL-1s
- MD Performance
- Break-away Cable
- When is a mic preamp needed?
- MA300 mic suggestions please...
- Broomstick as a makeshift boom pole...
- Oktava mc012 on gitzo boom ?
- Dual Camera Stage Setup
- dsr-570 sound?
- Sennheiser vs. Audio-Technica comments?