- Shure wireless mic system.
- Setting up PPM meter
- Ambience, mono or stereo?
- Hypercardioid vs. short shotgun
- Schoeps low-cut filter???
- Speaker Upgrade choice
- How to score a film with a professional composer/musician
- Microphone for interviews for HDR-HC1
- Lav Mics Compared
- An image I shot for Rode NT3 enthusiasts
- Audio for DVD
- X Noise, De-Noise, Noise Reduction...
- Wind Noise on Sony HC-1
- Mic for Sony PD170
- Stupid is as stupid does
- My first recording with an NT3 and cheap preamp
- Bad Audio
- First Hand-help microphone: wired or wireless?
- What is the story on the Sabine wireless systems?
- Why do I need a mixer? Answered
- Is there a Mini-XLR to XLR cable?
- Monitor Placement
- Split Audio
- Creating that "Criminal" distorted phone voice.
- Wireless frequencies to use in Israel?
- Schoeps microphone question. . .
- High production documentary interviews - Cardioid boom vs Lavalier - Help Appreciated
- Zeppelin choices
- Sennheiser G2 break up
- Why Bother?
- hardware training video sound advice
- Removing distortion in post
- best microphone for tap dancing
- Dynamic or Condenser for voiceover in poor acoustics?
- Voice Over recording medium
- First Wedding Small Church
- Pop guard with a Rode NTK?
- Mic for interview...
- Pre-amp for H4
- Mic to Line, Balanced to Unbalanced box
- Alternative to a Rode NT3 for concert recording?
- General on-camera mic advice?
- Mini-DV Audio to CD-R?
- mixpre to sennheiser 100
- Adding an In-Line Switch to the Audio Technica 892 Microset
- Audio in Hawaii
- Mic questions for FX1
- Microphone advice needed
- Best Sound FX Libraries
- Holy Smoke! AT 1800