- Video Expo/Seminar Findings...
- Using a light diffuser as a pop filter
- Affordable mic for basic production
- What plugin for dereverberation?
- XLR's for sound board Feed
- moleskin-like Lav mic holder ?
- Dolby Digital Dynamic Range Compression
- PD170 microphone
- Shure Lav
- Z1U - AT897 Mic Trouble
- AKG Wireless Lavalier Setup
- exporting OMF in adobe premiere, can it be done
- Combining Left and Right Channels
- Mic hiss
- Noisy Location Strategies?
- EW 100 G2 settings for wedding?
- Leaving Dv cassette in GL2
- Another hypercardioid alternative?
- ME-64 vs Rode NTG-1/2 for outdoors. Need help pretty quick
- Microphone advice - best option for kids play?
- Our home brewed fuzzy
- Wireless recievers
- What Lav Mics are Compatible with Azden 10BT
- Ty Fordīs Archives
- The internal stereo mic....a real pleasant surprise
- XLR Adapters question
- Battery level meters for 9V batteries?
- Converting a radio lav mic to a wired lav mic?
- Azden 200ULT Wireless System - Problem/Normal??
- What to trust, the meter or my ears?
- Boom Op monitoring question...
- Red, blue, left, right?
- Audio Connector Adapter Kit
- Another audio question: Tascam HD-P2 or Marantz PD671
- Audio Mastering Question
- Newbie to Sound
- Monitoring for a 5.1 Dolby Digital mix
- Canon DM 50
- How does a Senn. EW-100 handle Phantom?
- Radio mics
- iRiver IFP-899 setting
- Edirol R-4 Pro now with SMPTE Timecode!
- Suggestions for basic field recording setup
- Can wav give 5.1 sound?
- Audio Question re Shooting A Group
- Hypercardioids better off-axis than cardioids?
- No Audio in After Effects
- boom pole with cheap camera
- Canon GL-2 & Beachteks DX4P
- Canon DM-50 v Rode Video Mic v AT897