- Shock mount from K-Tek
- Micro Track 24/96 Professional MP3/WAV Recorder?
- giant squid recommendatn n advice
- what type of mic?
- Samson Wireless Mics - A good Choice?
- More than one soundcard?
- Soundforge intended for me?
- Rode Video Mic
- getting good sound with a beachtek dxa-8 and oktava mk-012
- Sennheiser MKH416/Fostex Fr2
- When is the stereo version of Rode Videomic supposed to come out in the U.S.? Thanks!
- Using Canon GL1 in concert hall for classical music, what kind of mic should I get?
- Which Microphone To Buy
- Interview mic and video light fan noise
- Best Affordable Wireless System
- Dual Recording
- Boom Pole by "Quick Pole"?
- Giant Squid lav mic
- Is this a good match with the Rode Videomic?
- Again some questions... XL1s/DXA-6/...?
- Timecode on video shoots
- Studio Projects C4 vs AT3031
- Fixing audio interference
- Schoeps CMIT 5U
- Wireless Lavs with XLR Output
- Making decent recording of lecturer in a hall
- all this talk about lav mics and i'm still confused
- CANON XL1 sound advice
- Sound To Echo-y
- Dual wire less mics
- Audio Setup
- Looking for a good mic preamp
- Camera sound on a budget
- Bad electronic hum! Help!
- need a lav for broadcast purposes
- Basic spaced omni/A-B technique
- Wireless Mic Systems
- Sony ECM-77 Lav Mic
- Uses for omni polar pattern in a large diaphragm condenser?
- Audio Technica AT835b Shotgun Mic
- dolby b decode in software?
- MP3 or Minidisk?
- Stock music Beta testers
- Good wired/wireless lav for GL2
- Tascam US-122 question (or recommend me a mixer/computer interface)
- Booming with AT 4053a?
- Impressions of Rode NT5?
- Please recommend: A Wireless Handheld MIC
- Rode video mic question
- How to shoot scene with stage performance