- Samples
- Sony Wireless Mics
- Sony’s ECM-680S M-S (Mid-Side) Electret Condenser Microphone
- recording non-dialogue sounds
- Connecting an XLR-terminated lav to a Sennheiser G2 wireless kit
- Song suggestion
- Drifting tracks
- Best Mic for Choir Concerts?
- Which Cables Do I Need?
- How to shoot a public address?
- Input needed - Behringer C1's or Zoom H2 for podcast.
- XLR cables?
- Any opinions on the ATR25?
- Sony HVR-A1U and external microphones
- Audio Sync Hell! XL2 & FCP
- Large diaphragm mics for documentary shoot?
- Mixdown from Soundtrack Pro not showing up in FCP Sequence
- Mini Stereo to XLR adapters
- Anyone tried the Fostex FR-2LE?
- Time to get serious: Frequency Conflicts
- Using rode videomic on boom pole?
- Canon HX-A1, line or mic in? The Answer:
- XL1 No Audio on Playback Emergency
- Botched audio job recovery
- A Budget Marathon of an Indie Shoot Needs your Audio Advice
- cinescore or sonicfire tutorials?
- Voice and audio
- OKTAVA BP-2 Power Supply Voltages
- Soundtrack Pro-Question
- mackie based firewire system, concept ideas
- M-Audio Microtrack II Recorder
- Voiceover like in the sixties
- Recorder preamp "mods"
- 3 or 4 channel audio?
- Sonicfire? Cinescore? Anything else?
- Two recievers one transmitter?
- Building a totally imaginary soundscape
- xlr cables
- Mic Pre Throwdown
- sennheiser g2 system setup video?
- Lavs
- Mic + preamp choice for narrative audio
- XLR versus Mini Jack Audio Question
- Wireless Audio problem
- Wireless Audio problem
- Up the back or down the front?
- more lavs or wireless set up?
- Recording Drama with limited mixer setup
- Indoor Use Of Shotgun Microphones
- De-Noising a car dialogue scene