- Shotgun or Lapel for Interviews
- Hollow echoing sound, can I fix?
- Limiter and wireless gain settings?
- More AT1800 questions
- Mic recommendation
- Recording classical music
- What should I get?
- NTG-1 or NTG-2?
- ProCo iFace
- How to use Edirol R-4 and Zoom H-4 with a soundboard?
- Sound only on one camera
- How do you guys manage/store/transport cables ?
- Rental Prices (Aus)
- Syncing a PD-6 & HVX?
- Getting good automotive audio
- Clipping and attenuator demo with Rode VideoMic
- Misdirected Unidirectional Clean-up?
- Making Sound Clip as Loud as Possible
- question for sennheiser users ew100
- Audio Technica: AT25 and AT55
- location testing
- Fostex RD-8 or Yamaha AW1600 8-track recorders for film/video work?
- schoeps cmc641, bbg, k-tek k-ssm?
- Recording multitrack audio from a concert soundboard
- Looking for a reccommended DAT Recorder/Mixer
- audio-technica 700 series?
- Midi Controllers and Acid Pro 6.0
- Audio mixer case for PSC DV Promix3
- Wireless boom operator? Help
- Sound of someone in the distance?
- Using NiMh Batteries in pro gear
- which mics plus frequency question
- ew100 g2
- ATW 1800 Reviews
- Mic-ing a brass quintet
- manual audio settings.....
- Wireless Frequencies for UK/USA
- Mic Repair Needed
- Musical Score and DP5
- Rode NTG-2 pins
- I need some "sound" advice...
- rode nt-3 outside
- All my direct voiceover recording on my PC pops and crackles
- Lav Mic Tips
- Lightwave Equalizer / shock mount
- Pitfalls buying demo monitors?
- Fixing Audio Distortion
- mic or line for senn g2
- Enhancing Narration with Sound Forge 7.0
- Need Advice for Audio on TV Production